Harmonica Gear or More Practice?

If you are anything like me I guess you are a harmonica gear head, most harmonica players are. Part of the fun of any hobby is to have a reason to buy new gear. No harm in that at all. There is however harm when buying harmonica gear becomes the main reason for the hobby. It is also a problem when we start blaming our faults as harmonica players on our gear. In this article I give my thoughts on what is essential gear and what improvements come best from practice (with or without harmonica). Not all our shortcommings can be fixed with gear, very few actually I would say. I will not mention custom and semi-custom harmonicas here, they deserve their own discussion.

Essential harmonica gear

First, a look at what I consider essential harmonica gear. These are things that help you become a better harmonica player and help you practice. Maybe some people will see this list as very boring and maybe it is. However essentials are rarely very exciting.

Metronome

The metronome is what keeps us honest when we practice, it is very hard to ignore being off the beat when the metronome is running. It is also a very good tool for practicing in the extremes, either really slowly or faster than we normally can handle. You can either use a stand alone device or a smart phone app.

Portable recording device

Critical listening while we play is extremely hard. Chances are that you are not hearing your mistakes, unless they are big, while you play. The ability to record and review afterwards is essential to pinpointing what you need to work on. I have been using Zoom Q3, which also records video, since a couple of years ago. I don’t think it is available anymore but I have heard god things about the Tascam DR-40 and Zoom H1 looks like a good option. If you have a smart phone it can likely work just as well.

Harmonica gear zoom Q3

My Zoom Q3

Jam tracks

Maybe not so much gear but jam tracks in different grooves, tempos, intstrumentations, etc is a great way to prepare for playing with other musicians. There are actually two ways to go about getting jam tracks. You can either buy individual or collections of jam tracks or you can invest in a computer program like “Band in a box” that can generate whatever kind of music you need. It can even create solos in the styles of famous artists. Quite an interesting tool, also useful for songwriters and home studio geeks.

Tounge block trainer

Learning the tounge block embouchure can be quite challenging due to the fact that we cannot see what goes on inside our mouths. The tounge block trainer created by Joe Filisko allows us to see what we are doing with our tounge and that really makes things a lot easier. You find the TBT here, where there also are instructions for how you make one yourself.

Service tools

A small set of tools with screwdrivers and tools for simple harmonica maintenance is quite handy. It is a good thing to know how to maintain your harmonicas yourself. Hohner has a nice set of tools with maybe more tools than you need at first. I have written about harmonica maintenance for cleaning in an earlier post.

Harmonica gear that can wait

Unfortunately this is probably the category most people are most interest in. A lot of the gear I got first definately comes from this category so, do what I say not what I do.

Amplifier

Unless you play regularly on stage you probable don’t need an amplifier. However if you do you a small 5W tube amplifier is probably what you need. It will be loud enough for rehersals and it can be amplified through the PA for larger venues. The amp will both be a way of being heard and a way of shaping your amplified sound. Before buying one you need to figure out what you need and what kind of sound you want. There is a big market for vintage amplifiers on eBay which can cost quite a lot. There are also a bunch of modern brands that specialise in harmonica amplifiers. Sonny Jr and Lone Wolf are two well known companies. I have a Gibson Kalamazoo Amp from the 60’s which I am very happy with but it did need some attention before being playable.

One thing that you should consider before spending a lot of money on an amp is that it will make everything you play louder. If what you put into the amp sounds band, what comes out will also sound bad, only louder.

Harmonica Gear - Kalamazoo Amp

My Kalamazoo.

Bullet microphone

If you buy an amp you will also need a microphone and the bullet style is the prefered style for many players. The same goes for mics as for amps, either you buy a vintage mic or a modern version from somebody who builds new mics often from vintage parts. BlowsMeAway Productions has both modern versions and custom wooden mics with vintage cartridges. I have the Bulletinin which I am very happy with.

Effect pedals

Effect pedals is a category I am not very interested in myslef actually. I have never come to grips with them. I would suggest that you hold off buying pedals until you know what you want from them. They can be great additions if you are looking for a specific sound that you are unable to create otherwise. I would also consider pedals icing on the cake and not something that will help your overall playing, if you don’t sound good acoustically pedals are not likely going to help you. Lone Wolf has a bunch of different pedals you can check out. To me delay and reverb pedals seem like a good place to start looking if you are experimenting with your sound.

The benefits of practice over harmonica gear

If you look back at the gear I list as essential you may notice that with the exception of the tool kit everything are practicing tools. The reason I think that practice is so much more valuable is that you will always take it with you. Sometimes you will not have access to your gear and sometimes you may want to play 100% acoustically. Even at those times when you have access to all your harmonica gear and all the best equipment in the world, what you have practiced will still shine through. There is no tool in a live situation that will fix bad timing or bad tone. They are such corner stones in every great players arsenal that they deserve to be put first at al times.

If you ever have to choose between new gear and more practice, I urge you to go for more practice. Hold off with the harmonica gear until you really need it. You will be glad you did. I am curious to hear any thoughts on this.

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4 thoughts on “Harmonica Gear or More Practice?

  1. I agree with most of what you say here. I would add – in my opinion the absolute best 2 things you can spend money are;

    1) Pro lessons – you get so much more out of it than just technique. You get performance tips, gear tips, problem solutions at gigs, how to fit in to the songs, etiquette and usually great stories of things gone wrong or coll things you might get to look forward to.
    2) Joe Spiers’ custom harmonicas – the difference between stock and JS customs is so huge. I liken it to the difference between driving an old beater Yugo and then stepping into a high-end Lexus. But don’t start out with the customs – you need to appreciate them in ways you only can after years of out of the box harp struggles.

    I’ve bought a lot of gear over the years and have never spent better money than on lessons and custom harps from Joe Spiers. Truly game changing! No affiliation

    • I definately agree about lessons, when I started getting instruction from Dick Sjoeberg, and later David Barrett and Joe Filisko, my development was turbo charged.

      Custom harmonica’s are great, I have a couple made by Dick Sjöberg and quite a few that Güther Bayer has done reed work and tuning on. My latest addition is one from Joel Andersson of JA Harmonicas which is awesome. Also some Sjoeberg custom combs (Joel has taken over on that from Dick). I agree that you need some experience before you can really appreciate a custom harp.

      Thank you for your comments!

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