You may already have figuered out that I am a big advocate for practice, especially efficient practice and excercises. The more you practice the better you become, it is as simple as that. In this article I will give some ideas about how to increase your harmonica practice sessions without even touching a harmonica. It is easy to become caught up in believing that only your pure scale practice time will make you better. Good news, although scale practice, bending practice etc is important there are other forms of practice you may have not considered.
Fill up on good ideas
It doesn’t matter if you consider yourself to be a modern player or if you don’t want to copy the masters. Learning from the great masters like Little Walter, Walter Horton or Sonny Boy Williamson is essential. An excellent way of doing this is to listen to them as much as you can. By constantly filling your ears with good ideas from the past, your future ideas will become better. Don’t fall in the trap of ignoring good riffs from the past in your effort of developing your own style. Your own style develops from you absorbe ideas from others and rework them. Ignoring good input will not help you. So, get those ear plugs in and listen to good harmonica players when you can’t practice yourself.
Mental model harmonica practice
Lee Sankey is a harmonica player and instructor who has done very interesting research into the mental models musicians use while playing. He calls these models Brainstruments. The idea behind the mental model is that the musician is not playing the physical instrument bur rather his Brainstrument and the brain then translates everything into the physical world. Developing a mental model of the harmonica of course requires quite a bit of harmonica practice but it is worth while trying to figure out what your mental model is. With a mental model in place, you can think your way to becoming a better harmonica player.
A very closely related topic to the Brainstruments is the work of Daniel Coyle which he put forward in “The Talent Code”. My short explanation would be that while practicing you develop neural pathways that are insulated with myelin which makes them faster and thereby stronger. When the pathways are in place they can be fired without the muscles moving. This means more support for mental harmonica practice.
One additional note on mental practice, if you do not do the physical “normal” practice you will not develop the mental model and the myelin will not form. You cannot just think about playing, you have to do it too.
Theory studies may not be the your favorite thing and I know some people see it as a little bit dirty for harmonica players. I don’t understand that view at all. I think you should make an effort to understand as much as possible about what you are interested in. Understanding more about music theory will not only make you a better player, you will also appreciate the music more. It is also a perfect thing to do when you are travelling and not really want to listen to more music. Take out a theory book or do some Google searches to elevate your knowledge. If you are a complete beginner then “Music Theory for Dummies” is a good starting book.
I hope I have opened your eyes about what harmonica practice is and how you can apply these ideas to your own practice. Even if you don’t adapt all of these ideas, try at least one. Let me know how it works out. If you have any other ways of practicing without touching a harmonica I would love to hear about them.