Harmonica Masters Workshops 2018 Trip Report

Since 2007 I have been attending the Harmonica Masters Workshops in Trossingen. I did miss 2008 but after that I have been a regular (every 4th year is skipped dut to the World Harmonica Festival). This was the 12th edition of the event and it was bigger than ever. I am recently back from Harmonica Masters Workshops 2018 and this is my trip report.

Planning

Planning for this trip actually started in November 2016, since there was no event in 2017 it was a long wait but the calender was marked already back then. In December of 2017 I made my booking to Hotel Bären which is my ususal spot when I go. In may the flight was booked during October the final travel arrangements were made. Getting from Stuttgart Airport to Trossingen takes some planning, either by train/bus (4-5 changes), or by taxi (a bit pricey). This year we were lucky that our friend Thomas from Denmark was already in Germany and had a rental car.

Trip to Trossingen

On Tuesday October 30th my trip to Harmonica Masters workshops 2018 started for real. I took the train from Landskrona around lunch my friend Mattias joined me on the crowded train. We got to Kastrup Airport in good time to get through security where our harmonica cases are always taken aside as they look ver strange in the x-ray machine. It has been a tradition to start with a burger (or ribs) and a beer (or two) while waitning for boarding. During this time we were joined by our friend Jolo who took a later train. We had a great time as always waiting for boarding, although airport prices are HIGH!!!!

harmonica masters workshops 2018 pre flight meal

Pre flight meal.

Our plane trip to Trossingen was quite OK, had a few laughs and Jolo’s guitar actually got to ride in “business class” in front of us. We landed on schedule and our friend Thomas picked us up and we headed for Trossingen. Now Harmonica Masters Workshops 2018 was close!

When we arrived in Trossingen we immediately checked in at Hotel Bären and then went to Hotel Traube close by, where most HMW veterans gather on the night before the event. This time is a time of great joy when you meet all your friends from previous years and also make some new friends. These nights never end early.

harmonica masters workshops 2018 Traube crowd

Some of the ususal suspects.

Harmonica Masters Workshops 2018 kick-off

The event itself started on Wednesday afternoon with registration at the Music Conservatory. We were all greeted by the mastermind of the event Steve Baker who also presented all the teachers. This year there were 148 students and workshops by Joe Filisko, Eric Noden (guitar), Greg Zlap, Marko Jovanovic, David Barrett, Mitch Kashmar and Riedel Diegel. There is basically something for everyone. Steve Baker himself taught private lessons to a few students.

After the introductions we all went to our respective class rooms for our first workshops. I attended Joe Filisko‘s class, he is a great teacher and has a lot of focus on getting great big harmonica sound. In his teaching method he uses original study songs that allow the students to dig deep on the different topics.

The workshops start

On Wednesday we had two workshop sessions. Joe started with explaining the key elements to develop to get a good sound and how to effectively use what you know. We also started working on the first study song. The first task was to work on a short riff with basically no technique at all, then we built it out with more and more complex tqchniques added. It really kept us working. Something seemingly simple can in fact be really complex and to execute it well you need everything in order.

Wednesday evening

The evening in Kesselhouse started with a meet and greet hosted by Hohner. They treated us to pizza, beer, wine, t-shirts and competitions (everybody won!). It was a very nice event. Hohner is really supportive of the harmonica community and a great sponsor of Harmonica Masters Workshops 2018.

The first musical event of the evening was Joe Filisko’s informal acoustic jam. I participated on a few songs and Joe asked if I would sing as well. I sang “How many more years” which I have done on stage 2016. It was all great fun. After the jam we had an opportunity to go onstage and perform with the help of Christian Rannenberg and Eric Noden. I wanted to try a new song I had been working on so I got up, see it below. The song is in Dm and I played third position on the harmonica.

There were lots of great performances in the sessions as always. One of them was Rohan Singhal who turned 13 that night. Very inspiring to see. It had been a long day so after the last session performance was over I went back to my hotel to get some sleep.

Thursday

Before the classes started I got a chance to look at the products from Lone Wolf Blues Company who had a stand with their equipment on display. I am not a big advocate of pedals or buying new equipment but they have some interesting stuff. Heinz Jörres was also there with pictures from previous years. I was very happy to find one of me that I could buy.

harmonica masters workshop 2018, lone wolf blues company products

The Lone Wolf Blues Company display.

The workshops contunied with the material from Wednesday and we worked hard on the box shuffle song before the lunch break. In the afternoon there was an opening of an exbition of blues pictures by Heinz at the Harmonica Museum. Joe, Eric and Steve performed a few songs as well.

In the last workshop of the day Joe opened the floor for people to perform and get feedback. There were some amazing performances during that hour and a half. Joe creates a safe place and people get a lot out of the feedback. I have played in class 2016, 2015, 2014 (Born Blind and Train Imitation), 2011 and 2010 but hadn’t prepared anything for this year.

Sessions

Thursday night followed the same patterna as Wednesday night with acoustic jam followed by an on stage session. As on Wednesday we got to see some amazing performances. I performed again on stage but was not very happy with my performance. It is a very safe environment though, so I didn’t feel too bad. I decided to be smart and go to bad reasonably early this night as well.

Friday morning

Friday morning I left a little earlier to go and see the demo room for Marble amps. They had a small room where players could test their equipment. Great sound in that room! There were so many people there that I didn’t get to play but it was fun to listen to.

harmonica masters workshops 2018, marble amps

Some of the amps.

In the workshops we continued working on the material from before and Joe introduced the “Inhale Only Blues” that really challenged us to step us our breathing and get as much blues tone out as possible. The great thing about this is that it is easy to pinpoint what you need to work on yourself depending on what your goal is.

Friday afternoon

Harmonica Masters Workshops 2018 had less extra curicular activities due to the holidays but one thing that was very interesting was the exihbiyion in the harmonica museum. There was a special exhibition about sonny Terry with lots of cool things from his estate. His glasses, a shirt, a harmonica and many pictures and stories. It was my first time in the museum and I am happy I got to see that.

harmonica masters workshops 2018, sonny terry harmonica

One of Sonny Terry’s harmonicas.

After the tour I decided to get some extra rest before the evening and skipped the last workshop of the day. I heard there were some great performances there.

Friday concerts

After a nice supper at Hotel Traube I went to Kesselhaus for the Harmonica Masters Workshops 2018 Friday teacher concerts. Kesselhouse was already full when I got there, it was impossible to get in front of the stage. The top floor was also full from what I heard. There were three concerts, first David Barrett who played a great selection of tunes highlighting the old masters of blues harmonica. Second was Marko Jovanovic who has a different approach and mixes a lot of styles into an interestin blend. Last up was Steve Baker who was on fire and played material from his latest CD release.

Steve Baker on stage at Harmonica Masters Workshops 2018

Steve Baker with the band.

Unfortunately there were no onstage session after the concerts due to the packed program. This was really missed by a lot of the workshop participants.

Saturday

Saturday was the last day of teaching. Joe continued with the drills based on the study songs. A new study song in the style of Walter’s Boogie was introduced and we worked on key riffs and breathing. After lunch I had a nice rest in the hotel before going to the last workshop of Harmonica Masters Workshops 2018. It was a workshops with all intructors and all students. It was a Q&A session with all instructors mixed with jamming. A good way to end the teaching.

Joe Filisko at Harmonica Masters workshops 2018

Joe teaching in class.

Saturday concerts

Saturday night followed the same pattern with Harmonica Masters Workshops 2018 instructor concerts. Once again Kesselhaus was filled to capacity. The evnng started with Greg Zlap who played with lots of enegry and captivated the audience. Second was Filisko & Noden who played material from their latest album “Destination unknown”. This was the highlight for me. The concerts ended with Mitch Kashmar who brought his students onstage for one song.

Filisko & Noden on stage at Harmonica Masters Workshops 2018

Filisko & Noden on stage.

Once again we missed the open stage sessions after the concerts. satyed on an talked to a lot of friends as it was the last evening and some people would leave early.

Sunday

Harmonica Masters Workshops 2018 ended with a chill out brunch before most people headed back home. It is always sad to say good bye to everyone but we were all looking forward to 2019.

Harmonica Masters Workshops 2018 chill out brunch

Joe and I at the chill out brunch.

The trip home went smoothly although with a lot of waiting.

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The Best Harp Exercise

When it comes to practicing blues harp the top hurdle facing people is often time. In our effort to get the most out of our practice time we look for the optimal circumstances. However in doing so it is all to easy to end up not practicing at all. This was a challenge for me for a long time, I wanted to practice a lot but if I couldn’t find at least an hour of uninterupted time I just didn’t practice at all. This is of course very counter productive. For me the big change when I first learned about “kaizen” and then the best blues harp exercise you can do on the harmonica.

Icremental improvement

The word “kaizen” is a japanese word that means “change for better” and it is often used to describe that an organisation continuously improve all parts of its operation. What is very appealing with this is that even small improvements building on top of other small improvements will result in big improvements overall. Another way of looking at it is that if you become 1% better at something every day the formula becomes 1.01 x 1.01 x 1.01… and you wil be 2 times as good as when you started after 70 days (not 100 days) and 4 times as good after 140 days. The 1% gain is not added to where you started (day 1) but to where you were the day before. This is of course a very theoretical way of looking at things but at least it opened my eyes to the compound effect of small improvements. I personally reformulated this to “it is better to practice a little bit every day than to cram a long session once a week”. I touch on this as well in my article on great harmonica practice.

Blues harp train imitation

The exercise I mentioned before is known as “train imitation”. It is a very simple exercise in which you play two inhaling chords while articulating “ah-ah” followed by two exhaling chords while articulating “who-who” on holes 1-2 or 1-2-3. You start slow and accelerate and decelerate to create the sound of a steam train. You continue for as long as you like. For dramatic effect people often start and finish with a train whistle. You get this by inhaling around holes 3-4-5 combined with a little bit of hand or throat tremolo. In the beginning this exercise is quite challenging. You may not get up to any great speed at all and you may find the tone weak. However this is exactly what this exercise will help you with. It will teach you to relax and balance your breathing so that you don’t fill up on air or run out of air. The relaxation in your posture and your embouchure will greatly improve your tone.

My wake up call

Whenever I can I like to get instruction from my good friend Joe Filisko and he is a great proponent of the train imitation. In fact when I have taken his classes at Harmonica Masters Workshop in Trossingen he has talked about train imitations EVERY year. Unfortunately I ignored it the first couple of years but in 2012 (I believe) I made a comitment. I promised myslef that I would do train imitations every day for at least 30 seconds. The idea with 30 seconds was that it was so short that it would be almost impossible for me to skip it, you can always find 30 seconds.

What happened was that it was quite easy for me to keep that promise. Most days I actually practiced for quite a bit longer than the 30 seconds. Not only that, I started noticing that my tone was improving and I was more relaxed than before. After about 2-3 months I felt that my tone was at least 100% better. Also my breath control was at a whole other level than before. I think this decision has been the single most effective for developing my own playing. When I teach people blues harp now the train imitation is the first thing I teach them. I tell them that this is something they can keep practicing for the rest of their lives.

Another benefit

A cool thing with the train imitation exercise is that it is actually an early blues harp song in itslef. You just need to build it out a bit and add some effects. At HMW 2014 I had worked up the nerve to show my train imitation to Joe in class, see the video below.


The two main things here are the daily practice leading to small continuos improvements and the train imitation exercise that lends itself perfectly to short practice sessions. To round things up I want to leave you with this little challenge. Make time for practice every day even if it is just 30 seconds and spend at least some of that time doing the train imitation. Let me know how it goes! Stay in touch by signing up to my newsletter below.

Blues Harmonica and Cajun?

Blues has always been my number one type of music when playing harmonica. Sure I have played some rock songs and even some folk songs bur blues is really where my heart is. However a few years ago Joe Filisko mentioned a player by the name of Isom Fontenot in a class I was taking so I checked him out. It turns out he was a cajun harmonica player and I was fanscinated by the sound of his playing. I was hearing a lot of toung blocking techniques and I decided to learn more myself and hopefully improve my blues harmonica playing.

Going outside blues harmonica

However it wasn’t very easy to find teaching material for cajun harmonica. I did get some material from Richard Sleigh and I used that to get started. In 2016 at Harmonica Masters Workshop in Trossingen Joe actually brought a cajun study song. It was actually a very nice mixture of blues and cajun making it a great study piece for blues harmonica players. This song allowed me to really work on my 3-hole blocks which have elluded my for quite some time. You can see the result below. If you are intereseted in purchasing the study material you can find it here. Joe has a lot of other great study material on the site.

Sometimes it is good to step outside of your comfort zone to find new challenges and grow as an individual. For sure cajun music has made me a better blues player. I not only had to figure out how to play the song, I also had to figure out how to practice my new technique effectively and not just in isolation. This will be elaborate more in another post.

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