Pull Slap Technique

Expanding your vocabulary of techniques is a great way of creating more possibilities for your self as a blues harmonica player. In this article I will explain the pull slap technique. I feel it is a great addition to let you shape the sound you get out of your riffs.

Pull slap vs tongue slap

The pull slap is building on the tongue slap technique and it can sometimes be hard to distinguish between them when listening to a recording. The sound will be a little bit sharper and a bit more staccato than the standard tongue slap. The reason for this is that the air flow is fully blocked and an internal pressure is built up before the tongue slap is performed. This pressure is the reason that the chord part of the tongue slap is a bit sharper and very pronounced. The staccato feeling comes from when the holes are first fully blocked before the pull slap is completed.

As you can understand from the explanination above it is a very good idea to first pratctice tounge slaps before mving on to the pull slap. It is also a quite simple extension as the only thing you do is covering all holes with your tounge first.

When to use

You can basically use the pull slap whenever you would use a tongue slap and can be a great way of slightly varying the sound. Sonny Boy Williamson II was a master of this technique. You can hear it in “Born Blind” for example.

I suggest to add this technique to your arsenal begin working it into your riff vocabulary. You can never have too much technique!

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