One of the things I like about tongue blocking is the variety of different techniques available. For me it the embouchure that gives me the best ways to sound bluesy. One of the first techniques to learn as a tongue blocker is the tongue slap. In this article I explain how it is permormed and the sound to expect.
Basic tongue slap
The tongue slap technique can most easily be explained as a short chord played immediately followed by the highest note played as a single note in the tongue blocking embouchure.
To do your first tongue slap follow these steps:
- Place your mouth over holes 2,3 and 4. You can include hole 1 if you like.
- Place your tongue over holes (1), 2 and 3. Now you are in position to play hole 4 in the tongue blocking embouchure. To make sure that you have positioned everything correctly you can try inhaling or exhaling. You should now hear only hole 4.
- Without breathing lift the tongue from the harmonica.
- Initiate an inhale chord by breathing in.
- Quickly place your tounge back over holes (1), 2 and 3 blocking them completely. You should now hear hole 4 on its own.
Going from step 4 to step 5 should be extremely quick. You do not want to hear it as a chord followed by a single note. You are looking for a single note that is preseeded by a sharp heavy push. This is extra prominent when playing through an amplifier. You can use the Filisko Tongue Block Trainer to see what goes on inside your mouth.
Below is a simple riff played both with and without tongue slap.
When to use
The tongue slap technique is great to use to spice up very simple riffs, it will make them sound bigger and more interesting. I would say that you can use the technique quite extensively but make sure to mix it up with at least a few “unslapped” notes. Too much of the same thing makes it uninteresting.
If you are not already using tongue slaps I suggest that you incorporate it in your playing for that extra punch in your sound.
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