Is Reusing Riffs Creative?

Being able to play dazzling solos is a dream for many beginning harmonica players. The nice thing about the diatonic harmonica is that is so easy to start playing and be reasonably in tune with a 12 bar blues. Taking the next step and really more effort though. Creating a riff bank by learning riffs is a good way to get going. Learning songs that the mold mastered played is another great way. However some players seem to be hesitant about reusing riffs they learn in songs. It can feel a bit like stealing and not very creative at all. In this article I give my view on this topic.

Pros and cons of reusing riffs

First of all I have to say that I am all for reusing riffs. The riffs played by Sonny Boy Williamson, Little Walter, Big Walter Horton and others are memorable for a reason. They are damn good. If you don’t reuse those riffs you are seriously limiting yourself. The idea is to make good music and there is no shame in standing on the shoulders of giants. It may make you feel better to know that the old masters definately were resuing their own riffs (and probably other players riffs as well). For example bars 5-7 of the first solos in Born Blind by Sonny Boy Willimanson II is very similar to bars 5-7 of the second solo of Help Me. That phrase is very recognizable as SBWII and nobody would say it is a bad reuse.

reusing riffs

Part of what SBW resued himself.

On the flip side resuing too heavily can be a problem. You don’t want the audience to think you are playing a specific famous song when you are in fact jamming or soloing on your own original. Don’t rip a whole solo for example. Pull out the the riffs you like and put your own spin on them instead. With time they will become your own.

But what about creativity?

We may all have different opinions on what is creative and what is not but I don’t see using your riff bank as less creative than on the spot composing. Even if you are using patterns or riffs you already know the creative part is applying them in an appropriate situation. David Barrett calls improvisation revisiting what you already know and I think that is a good way of looking at it. One riff you pull out will lead you someplace on the harmonica, then you can pull out another riff using that place as a starting point. You can also get creative by resuing riffs and color them differently with techniques and other forms of improvisation.

Summary

So all in all I hope you see that resuing riffs you learn in song is not something to stay away from. Using them can make you sound a lot more professional and also push you to come up with your own variations. Use this gold mine the great players of yesterday have left behind!

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Harmonica Creativity through Limitations

The harmonica in itself is an instruments with built in limitations. This is part of the power of it as well. If you play first position melodies or second position blues you are for the most part on safe ground. What I propose in this article is that you impose more limitations to set your harmonica creativity free.

The problem with artistic freedom

Being completely free when playing a solo for example can actually be a problem for a beginner. When we have too much to choose from we sometimes freeze. The reason for this is that our minds need boundaries to be truly creative. It is the act of working around the limitations that set your harmonica creativity free.

With experience and sufficient knowledge of structure we can handle more and more freedom. After learning how to use repetition a musician is better equipped to take advantage of playing “without rules”.

Self-imposed limitations

harmonica creativity

Self-imposed limitations can help you.

By using self-imposed limitations you challenge yourself into finding new patterns or rhythms while playing. A great way of doing this is to limit which holes you allow yourself to play. Try this as an exercise:

  1. For the first chorus of a backing track play a solo using just hole 1. This will force you to think about your phrasing and rhythmic approach.
  2. For the second chorus play a solo using holes 1 and 2.
  3. For the third chorus play a solo using holes 1-3.
  4. Continue with this patterna for as many choruses you like.

Don’t forget to record what you come up with! When you listen back to what you have played you will notice that playing just hole 1 does not sound as boring as you would think. During the exercise you will also notice how much you appreciate getting another hole to play. All in all this will make you think about the building blocks of your music in a new way.

Go do it!

Now it is time for you to try this exercise. I would also encourge you to think about other limitations to use. Maybe just play eigth notes, then only quarter notes, then only half notes and in the end everything together. With each exercise you will increase your harmonica creativity a little bit and in the end it all adds up to something great.

Let me know how it works out for you and which limitations you set.┬áDon’t forget to sign up below to get the Welcome package and exclusive articles!

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